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Franz Weihmayr : ウィキペディア英語版 | Franz Weihmayr
Franz Weihmayr (December 30, 1903 – May 26, 1969) was a German cinematographer who worked on over eighty films between 1924 and 1964. He was one of the leading German cinematographers of the Nazi era, working on a number of Zarah Leander films and the 1935 propaganda documentary ''Triumph of the Will''. After the Second World War Weihmayr worked in West German cinema including rubble films such as ''Love '47''. ==Selected filmography==
* ''On the Reeperbahn at Half Past Midnight'' (1929) * ''Der Blaue Engel'' (1930) * ''Mädchen in Uniform'' (1931) * ''Anna und Elisabeth'' (1933) * ''Hans Westmar'' (1933) * ''William Tell'' (1934) * ''Wolga-Wolga'' (1936) * ''The House of the Spaniard'' (1936) * ''The Court Concert'' (1936) * ''To New Shores'' (1937) * ''Daphne and the Diplomat'' (1937) * ''La Habanera'' (1937) * ''The Blue Fox'' (1938) * ''By a Silken Thread'' (1938) * ''Heimat'' (1938) * ''The Life and Loves of Tschaikovsky'' (1939) * ''Das Herz der Königin'' (1940) * ''Wunschkonzert'' (1940) * ''Beloved World'' (1942) * ''Die große Liebe'' (1942) * ''Back Then'' (1943) * ''Nora'' (1944) * ''Love '47'' (1949) * ''Amico'' (1949) * ''Dr. Holl'' (1951) * ''Conchita and the Engineer'' (1954) * ''Canaris Master Spy'' (1954) * ''Devil in Silk'' (1956)
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